摘要
中国电影学派的创制对于中国电影发展而言至关重要。历经110多年的发展历程,中国电影已具有独特的文化风格,其内在的主体意识、美学风格、民族特质已在学术研究中渐渐显影。不同的历史时期,很多学者尝试对其进行概念、描摹与阐释。目前,"中国电影学派"已成为中国电影最具标签化与认同感的概念。梳理学术界对于"中国电影学派"探索的四个阶段,认知中国电影学派命名的由来与内涵意义,对于中国电影学派从创设到建设发展的前景认知,都在为中国电影的历史、当下与未来理论提出新的认识。众多学者管窥中国电影的热忱与思辨力,将引领中国电影理论发展进入一个新的阶段,也必将指引中国电影特性趋向更深一层的明朗化与风格化。
The creation of the Chinese Film School is crucial to the development of Chinese films.After more than 110 years of development,Chinese films have already had a unique cultural style,and their inherent subject conscious- ness,aesthetic style and national characteristics have gradually developed in academic research.In different historical periods,many scholars tried to define,describe and explain it.At present,the "Chinese Film School"has become the most labeled and identified concept in Chinese films.Combing the four stages of academic exploration of the " Chinese Film School"and recognizing the origin and connotation of the naming of the Chinese Film School,as well as the prospect of the development of the Chinese Film School from its .creation to its construction,are putting forward new understandings for the history,present and future theories of Chinese films.Many scholars have a glimpse of the enthusiasm and speculative power of Chinese films,which will lead the development of Chinese film theory to a new stage and will also lead the characteristics of Chinese films to a deeper level of clarity and style.
作者
周星
康宁
ZHOU Xing;KANG Ning(School of Art and Media,Belting Normal University,Beijing 100871;Beijing Film Academy,Beijing 100088)
出处
《艺术百家》
CSSCI
北大核心
2018年第5期51-59,共9页
Hundred Schools In Arts
