摘要
随着现代消费文化风起云涌、科技手段日新月异,少数民族艺术已经不可避免地置身于表达视觉化、景观化的时代环境之中。在此背景下,族群的社会关系更多地通过镜像加以堆砌,对民族艺术而言,就需要对这种境遇加以适应,借助民族艺术视觉系统的再生创作来融入多元一体的中华文化中,并以此为基础与世界其他文化共生发展。而对民族艺术中所包含的视觉文本的研究需要在民族文化的场域下进行整体到局部的把握,还需要将其置身于当前文化传播、文化传承以及文化消费的社会趋势之下,这样才能还原当前民族艺术真实的境遇及本相。
With the rapid development of modern consumption culture and technology, ethnic art has inevitably been placed in the era of visualization and landscaping. In this context, the social relations of the ethnic groups are more expressed through mirror images. For ethnic art, it is necessary to adapt to this social reality. The art of ethnic minorities needs to be integrated into Chinese culture with the help of the regeneration of the visual system, and to realize the symbiotic development with the other cultures of the world. Research on the visual text contained in the art of ethnic minorities need to grasp the whole to the part in the field of minority culture, but also need to be placed under the current cultural communication, cultural heritage and cultural consumption of social trends. In this way, we can restore the real situation of the current minority art and the present phase.
作者
董宇
李莉
DONG Yu;LI Li(Qingdao University,Academy of Fine Arts,Qingdao,Shandong 266071,China;Qingdao technological university,School of business,Qingdao,Shandong 266520,China)
出处
《贵州民族研究》
CSSCI
北大核心
2018年第11期95-98,共4页
Guizhou Ethnic Studies
关键词
视觉文化
少数民族艺术
消费文化
资本化
Visual culture
minority art
consumption culture
capitalization
