摘要
现代人的居住首先面对的却是无家可归,但这里的无家可归并不是因为缺乏房屋,而是人忘记了居住的本性。人不断地用技术改造了人的居住,反而使得居住的本性离我们越来越远。海德格尔从词源入手得出建筑自身就是居住,并提出了诗意居住的建筑美学思想,海德格尔的诗意居住是一种天地人神四元合一的审美之境。
The dwelling of modern people is firstly characterized by a homelessness state.The homelessness does not mean the absence of the houses,and it means that people tends to forget the nature of dwelling.People reconstruct their dwelling by the technique constantly,but the nature of dwelling is kept further and further away from us.Heidegger educes from the etymon that the build is dwelling,and he has proposed a building aesthetics thought of poetry dwelling.Heidegger’s poetry dwelling is a fourfold aesthetic area including the sky,the earth,the divini-ties and the gods.
出处
《华南理工大学学报（社会科学版）》
2014年第3期88-91,共4页
Journal of South China University of Technology(Social Science Edition)
基金
重庆市社会科学规划项目(2012QNZX007)
