摘要
该文对《诺桑法王》等几个传统藏戏的题材来源进行了新的探索,指出传统藏戏剧目的题材多源自佛经,尤多敷演佛本生故事;说明藏戏并不属于“傩戏型”戏剧,而是典型的佛教戏剧。
The text investigates the subject matter of some traditional plays of the Tibetan opera (Ihamo) such as Chos Rgyal Nor Bzang, and reveals the fact that the subject matter of those plays mostly comes from the sutras, especially the stories of Buddha Jataka. It holds that the Tibetan opera (1hamo) does not belong to the Nuo opera, but is the typical Buddhist opera.
出处
《中山大学学报（社会科学版）》
CSSCI
北大核心
2002年第3期54-61,共8页
Journal of Sun Yat-sen University(Social Science Edition)
关键词
藏戏
传统剧目
佛教
佛经
佛本生
Tibetan opera (lhamo)
traditional plays
Buddhism
Sutra
Buddha Jataka
