摘要
中国山水画与西方风景画在各自文化的陶铸中形成了独具特色的风格特点。由于中国山水画与西方风景画审美趣味和表现方式的差异,使得各自的写生观有明显不同。中国山水画写生观追求对物象神韵、精神的把握与展现,注重以形写神,营造意境;西方风景画的写生观则追求对对象外在表象的把握与再现,注重自然景象的逼真显现。尽管中国山水画与西方风景画的写生观存在明显差异,但由于表现要求的相同性和画家面对自然感情抒发的一致性,使得中国山水画与西方风景画的写生观也具有相同之处。
Chinese landscape painting and western landscape painting shape respective distinct styles under the cul-tivation of each own culture. Differences in aesthetic taste and way of expression between Chinese landscape painting andwestern landscape painting result in respective obviously different views of sketching. According to a Chinese view,sketching of Chinese landscape painting pursues a command and presentation of the verve beauty and spirit of objects,focusing on expressing the character with form and characterizing the imagery. According to the western view, however,sketching of western landscape painting seeks a command and representation of the external feature of objects, emphasi-zing a life-like presentation of natural scenes. Although there are obvious differences between view of sketching of Chi-nese and western landscape paintings, they show several similarities owing to commonality in expression requirement anduniformity in the painter＇ s expression of emotion in face of nature.
出处
《陕西师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2014年第4期160-165,共6页
Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
基金
教育部人文社会科学研究西部和边疆地区项目(13XJA76001)
关键词
中国山水画
西方风景画
写生观
意境
Chinese landscape painting
western landscape painting
view of sketching
imagery
