摘要
近年来,表演选秀型节目占据荧屏,且有愈发火爆的趋势。这些节目以其全民性、颠覆性、平等性和仪式性特征而被定性为媒体和大众共同参与的"狂欢"。但由于其采用的是不折不扣的神话结构,因而狂欢只是这类节目的表象,其本质在于追求和建构一种新的秩序。因而,这类真人秀节目本质是一场"伪狂欢"盛宴。
In recent years, the screen is full of performing talent show programs which become more and more popu- lar. With its characteristics of publicity, subversion, equality, and rituality, such program is identified as a carnival jointly participated by the media and the mass. However, since it completely and purely adopts a myth structure, it actually tries to establish a new order in which carnival is only a presentation. Therefore, such kind of reality show is essentially a forged carnival.
出处
《艺术百家》
CSSCI
北大核心
2014年第5期57-60,共4页
Hundred Schools In Arts
基金
2012年度国家社会科学基金艺术学项目"改革开放以来中国电视娱乐节目价值取向的变迁"(项目编号:12BC020)阶段性成果之一
