摘要
通过对浙南摩崖石刻的整体考察和研析,结合碑派风格摩崖和代表书家,探究清至民国中期碑学形成的基因及其发展历程状况:清初人士为了避触文网,渐开金石学气候及碑学序幕之一角。从嘉庆开始,金石学大盛而致碑学兴、帖学衰。以阮元为核心的金石书法家对浙南摩崖石刻碑派书法之大兴做出了开山贡献,他们的躬行实践印证了清代碑派书法首先是从秦汉篆隶书体的复兴开始的普遍观点。而道光、咸丰直至清末,浙南无一段草书摩崖的现象,则是"篆隶振兴,草法澌灭"的最好注脚。民国初、中期碑帖结合、章草复兴为书史亮点,其体现在浙南摩崖石刻中的独特价值和带给我们的启迪作用影响深远。
This paper investigates the motivations and the development of stele calligraphy based on an overall analysis of the cliff inscriptions of the period from Qing dynasty to the middle of the Republic of China in South Zhejiang,the styles of epigraphic calligraphy and the representative calligraphers. The official taboos and literary inquisition of the early Qing dynasty gave rise to epigraphy and epigraphic calligraphy. From Jiaqing period of Qing dynasty,epigraphy greatly flourished and this in turn resulted in the thriving epigraphic calligraphy and declining paper calligraphy. The epigraphic calligraphers with Ruan Yuan as the leading figure made a pioneering contribution to the rise of the epigraphic calligraphy of the cliff inscriptions in South Zhejiang. Their practice can verify a widely accepted viewpoint that the epigraphic calligraphy of Qing dynasty started from the revival of seal script and clerical script current in Qin and Han Dynasty,whereas the fact that there exist not a single cliff inscription in cursive script in South Zhejiang during the period from Daoguan and Xianfeng to the end of Qing Dynasty may serve as the best footnote to the assertion that “seal script and clerical script flourished,and cursive script vanished”in this period. In the early and middle part of the Republic of China period,the thriving epigraphic and paper calligraphy and the revival of the early style of cursive script became the highlights of calligraphic history,and their presence in the cliff inscriptions in South Zhejiang has unique value and far-reaching enlightenment on us.
出处
《丽水学院学报》
2014年第6期22-35,共14页
Journal of Lishui University
基金
教育部人文社会科学研究规划基金项目"浙南摩崖石刻研究"(11YJA760083)
关键词
浙南
摩崖石刻
清至民国中期
碑学发展
South Zhejiang
cliff inscriptions
from Qing Dynasty to the middle of the Republic of China
the development of epigraphic calligraphy
