摘要
明清女剧作家的戏曲作品中有十分突出的热衷神仙内容表现的叙事特征,尽管承袭了男性剧作家的创作传统,但却能从女性作家个人的人生经历和创作心态出发,呈现出不同于男性剧作的表现内涵和审美理想。女剧作家或借助这一叙事传统表达自身对于仙界宁静和自由的向往,或将自己对于婚恋和现实人生的思索借助仙界人物之口传述出来,这些剧作为我们观照明清女性深层欲望、价值观及自我认知提供了一个独特的窗口。
Celestial being was a common narrative feature in plays written by women in the Ming and Qing dynasties. Though it was an absorption and development of play tradition constructed by male play writers, the narrative pattern related to celestial being was used to express female playwrights＂ dreams and ambitions or thinking of marriage and life. These plays provided a window for readers and spectators to understand the female playwrights＂ deep desire, values and self-cognition in the Ming and Qing Dynasty.
出处
《广东技术师范学院学报》
2014年第12期27-31,87,共6页
Journal of Guangdong Polytechnic Normal University
基金
广东省哲学社会科学"十二五"规划2011年度青年项目"性别视野中的明清戏曲研究"(批准号:GD11YZW03)
关键词
女剧作家
涉仙叙事
创作心态
female playwright
celestial narrative
creating thoughts
