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抽象艺术与内蒙古地域建筑

Abstract Art and the Regional Architecture in Inner Mongolia
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摘要 在当今中国高速的城市建设当中,出现了千城一面,表面的现代化,不可持续发展等问题,使城市变得越来越单调、冷漠、缺乏亲和力。因此,创作出具有地域文化特色和人情化的建筑是解决问题的基本方法。游牧文化作为内蒙古独具特色的文化现象,很多建筑师在创作当中尝试着应用,但很少有人来系统的学习或深入的理解。本文用抽象艺术的视角,寻求基于地域文化表达的建筑创作出发点,并通过对内蒙古草原造型艺术和内蒙古地区具有代表性的建筑进行归类分析,从而找到创作地域特色在建筑造型上表达的具体做法,期望能够为以地域建筑创作的建筑师们提供全新的视角。 In today's urban construction among China, there are rapid emergence of thousands of city side, the surface of the modern, unsustainable and so on, so that the city becomes more monotonous, indifferent, and lack of af inity. Thus, with the creation of a regional cultural and human characteristics of the building is a fundamental way to solve the problem. Inner Mongolian nomadic culture as a unique cultural phenomenon which make many architects try to apply them in the creation, but few people try to systematical y study it or with in-depth understanding. In this paper, the perspective of abstract art, the starting point for seeking architectural creation based on geographical and cultural expression, and the plastic arts through the grasslands of Inner Mongolia and Inner Mongolia representative buildings classified analysis to find creative Inner geographical features on the expression of specific architectural style practice, expect to be able to provide a new perspective to the creation of architects who work on regional architecture.
出处 《建筑与文化》 2014年第8期110-112,共3页 Architecture & Culture
基金 内蒙古工业大学重点科学研究项目项目批准号:ZD201202
关键词 抽象艺术 草原 造型 质感 色彩 地域建筑 Abstract art grassland Modeling texture color regional architecture
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