摘要
西美尔面对现代文化的危机,试图用审美救赎的方式使人们回归到本真意义的生命中去。这种将个体性的审美上升到普遍性,以试图达到整体性的绝对的路径正是康德和谢林等德国古典哲学家的经典路数。同时,在面对注重个体生命性的现代审美主义时,西美尔仍然坚持对于一致目标的追求,他从康德对于崇高的理论中获得启发,提出了审美距离的概念,使人们避免物化的沉沦,重新回到个人的内心中。通过这样的方式,西美尔保证了整体性的生命价值和意义的实现。
Facing the crisis of modern culture,Simmel tried to use the aesthetic redemption as a way for people to return to the true meaning of life.The way of leveling individual aesthetic to the universal was consistent with German classical philosophy,just like Kant and Schelling.At the same time,in the face of focus on Modern,aestheticism of individual life,Simmel still persisted to pursue for consistent goals.He learned from Kant for the Sublime Theory for inspiration,and put forward the concept of aesthetic distance,making people avoid materialism in corruption,and return to one＇s inner self.In this way,Simmel ensures the realization of the integrity of the value and the meaning of life.
出处
《长沙理工大学学报（社会科学版）》
2015年第1期11-15,共5页
Journal of Changsha University of Science and Technology：Social Science
关键词
生命
文化
艺术
价值
审美
life
culture
art
value
aesthetic
