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以情求道的哀婉和以理入禅的冲淡——苏曼殊的《断鸿零雁记》与废名的《桥》之比较

Tragedy of seeking Taoism by Emotion and Dilution of entry of Buddhism by Reason—Comparison between Memories of a Drifting Life by Su Man-shu and Bridge by Fei ming
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摘要 苏曼殊的《断鸿零雁记》与废名的《桥》都是极富禅意与诗味的小说,然而,两位作家借以参禅悟道的方式却不尽相同,一个是以情求道,一个是以理入禅。因此,两部作品呈现的风格也就不尽相同。两部作品的相似性与差异性体现出我国文化传统对文学的深远影响,亦体现出时代环境对身处其中的个体心理的普遍影响。 Memories of a Drifting Life by Su Man-shu and Bridge by Fei ming are novels of features of Buddhism and poetry. However, one is seeking Taoism by Emotion and Dilution of the other is entry of Buddhism by Reason. Therefore, the two works are of different style. Both difference and similarity in the works also reflect the profound influence of traditional culture to modern literature in China and also demonstrate the universal effect of environment of the time to the individual in mind.
作者 陶禹含
出处 《景德镇高专学报》 2014年第4期65-68,共4页 Jingdezhen Comprehensive College Journal
关键词 苏曼殊 《断鸿零雁记》 废名 《桥》 比较 Su Man-shu Memories of a Drifting Life Bridge Fei ruing comparison
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