摘要
《潮骚》是三岛由纪夫描写唯美爱情故事的代表作。通过从叙事学角度对作品空间构造的分析可以看到,神社、灯塔分别以新治和初江为表象,具有对内与外的象征意义,同时体现出歌岛这个封闭空间的相对性。立体空间结构及若干对立关系的塑造和叙事视角的多角度转换使故事情节生动充实,既体现了作者对甜蜜爱情的赞美,也展示了故事深层所蕴含的主人公自我意识的觉醒,表现了三岛对理想之乡的向往和对现实的无奈。
The Sound of Waves ,a romantic love story by Yukio Mishima,is different from his old stories that fea-turing themes of perversion,depression and bloodiness.Through an analysis of the spacial construction of the work and several relations from the perspective of narratology,we see the shrine and lighthouse are symbolic of Shinji and Hatsue,and have both inner and outer symbolic meanings.The space structure and narrative perspectives make the story vivid and perfect.The awakening of the self-consciousness of the protagonist is implied in the bot-tom of a seeming praise of a sweet love story,representing the author’s yearning for an ideal place and his helpless in front of reality.
出处
《淮海工学院学报（人文社会科学版）》
2015年第2期50-52,共3页
Journal of Huaihai Institute of Technology(Humanities & Social Sciences Edition)
基金
河南省教育厅人文社会科学研究项目(2014-ZD-096)
河南大学研究生教育综合改革项目(Y1318013)
关键词
《潮骚》
三岛由纪夫
空间结构
对立关系
自我意识
The Sound of Waves
Yukio Mishima
space construction
opposite relationship
self-consciousness
