摘要
在多民族的中国,从民俗艺术角度研究本土民间演艺,尤其不可忽视少数民族艺术。在山高谷深的岷江上游,诞生在黑水民间土壤中的融合着藏羌文化元素的铠甲舞,展现为歌舞艺术,融汇了宗教情感,体现于仪式行为。从文化结构到艺术形态,从象征符号到展演场景,从身体表现到仪式功能,从族群生活到传统风俗,凡此种种,从民俗艺术角度而不仅仅是纯舞蹈学或纯艺术学角度看,其中都有值得舞蹈人类学或艺术人类学研究者深入关注的许多东西。
In China, within a multi - ethnic context, as we study the folk performances from the folk customs＇ point of view, the minority arts shouldn＇t be neglected especially. The Armour Dance, coming out of the remote valleys along the upstream of Mingjiang River, from the soil of folk in Hei Shui area, incorporates the Tibetan and Qiang artistic elements into its choreography, which features the dance arts, is blended with the religious affection, and incarnated in the rites. The Armour Dance offers, from the culture structure to the art form, from the symbol marks to the specific scenes, the body expressiveness the ritual＇s function, the tribal life the traditional customs, of which bunch of things are worth deeply concerning and thorough studies for the Dance Anthropology, or the Art Anthropology researchers.
出处
《民族艺术研究》
CSSCI
2015年第2期54-62,共9页
Ethnic Art Studies
基金
教育部人文社科重点研究基地重大项目"中国古代民间神灵信仰研究(一)"(编号:11JJG750010)
教育部人文社科规划基金项目"民俗事象与族群生活--人类学视野中的羌族民间文化研究"(编号10YJA850023)的成果
关键词
黑水
铠甲舞
民俗艺术
民族文化
舞蹈人类学
Hei Shui area
the Armour Dance
folk art
ethnic culture
dance Anthropology
