摘要
柳永和周邦彦词具有共同的以叙事为骨的抒情方式,这种方式不同于传统小令的隐喻比兴,也不同于姜夔、吴文英的意象化抒情方式。以叙事为骨的抒情方式的实质是把空间化的诗歌艺术转变成具有时间性的叙事艺术,是从时间性的角度追求艺术和生活之间的相似和贴近,是一种写真重形似以求在细节的忠实中把握诗意和情感表达的审美倾向。这种写真重形似的审美倾向是北宋后期整个社会的美学追求。它既是对即将到来的叙事文学主潮的的呼唤与预言,更是对传统诗歌抒情手法的继承与发扬。
Liu Yong and Zhou Bangyan have a common approach of lyrical narrative which differs from metaphor and analogy in traditional short lyrics, and it’ s also different from Jiang Kui and Wu Wenying’ s lyrical imagery approach.The essence of lyrical narrative is to transform the spatialized poetry into a temporary narrative art.Pursuing the similarities and closeness between art and life from temporal perspectives, it is an aesthetic tend-ency emphasizing shape likeness in the details so as to faithfully grasp the poetic and emotional significance.This aesthetic tendency was quite popular in the later period of Song Dynasty.Not only does it calls and predicts the ar-rival of the mainstream of narrative literature, but also inherits and develops the traditional lyrical poetry.
出处
《河池学院学报》
2015年第1期44-49,共6页
Journal of Hechi University
关键词
柳永
周邦彦
词
抒情方式
叙事
Liuyong
Bangyan Zhou
Lyrics
Narrative
Lyrical Way
