摘要
中国电影的审查机制,至今已有近70年的历史。中国电影是在国家行政管理部门及社会舆论的审查中发展的。作为一种意识形态的管理,现行的电影审查机制对当代中国电影中诸如新生代导演及其作品的制约和规训作用不容忽视。21世纪以来,审查制度也以一种特殊逻辑在一定程度上推动并促进了中国电影类型化的进程,并在客观上引导了部分电影作品的市场化,尤其是新生代导演进入体制内的尝试。从产业政策和电影文本等方面梳理和分析这一现象,并对中国电影审查机制对新生代导演作品类型化的影响进行阐释。
China＇s film censorship has been lasting for near 70 years since the founding of PRC. Generally speaking, although Chinese film industry has gradually developed under the censorship and inspection of related national department and social opinions, needless to say, the present film censorship as a type of ideological management has a restrictive and disciplinary effect on contemporary Chinese films such as the new-generation directors and their works. Yet we also notice the following phenomenon： since the new century, censorship has promoted and pushed forward the process of stereotyping of Chinese fihns with its particular logic, objectively causing the marketization of some films. Noticeably, the trial works by the new-generation directors have en- tered the internal system. This paper intends to sort out and analyze the phenomenon in terms of film industrial policies and film texts and expound the influence of China＇s film censorship on the type-evolution of the new- generation directors＇ works.
出处
《上海大学学报（社会科学版）》
CSSCI
北大核心
2015年第3期63-69,共7页
Journal of Shanghai University(Social Sciences Edition)
基金
国家社科基金艺术学项目(10CC079)
上海哲学社会科学项目(2010BWY003)
关键词
电影审查机制
新生代导演
类型化
film censorship
new-generation directors
type-evolution
