摘要
美国杰出犹太女作家辛西娅·欧芝克在《微光世界的继承人》中塑造了多个对自我身份困惑的角色。屈从于社会性别规约下的女性主体形成身份的批判意识,努力探寻自我的出路。对性别规范不断挑战的女性模仿男性的身份操演,打破了性别身份稳固的神话。具有女性气质的男性突破性别角色的限制,建构了自我生存的主体身份。这些性别再现和解构性别的尝试重构了后现代断裂、不稳定、不确定、多元的身份观念。
Cynthia Ozick, a distinguished Jewish American woman writer, creates several characters who are confused about their gender identities in Heir to the Glimmering World. In submission to the gender regulation, the female subject forms critical consciousness about identity and attempts to find her way out. The female subject challenges social norms, imitates male＇s gender identity and reverses the myth of stable identity. The male subject reveals femininity, transgresses gender prohibition and constructs a living subject. These characters＇ gender performativity reconfigures the mapping of postmodern identity concept characterized by its rupture, instability, indeterminacy and multiplicity.
出处
《天津外国语大学学报》
2015年第3期69-74,共6页
Journal of Tianjin Foreign Studies University
基金
陕西省教育厅项目"伊迪丝.华顿小说中的叙事与情感研究"(14JK1720)
