摘要
魏晋咏物赋个人创作数量以曹植和傅玄为最多。二人在创作思想、创作取向、创作技法上有趋同性。这和作者性格、时代风气有关。傅玄生活在西晋,但他的咏物赋明显地承继了曹植赋体诗意化的路子,与西晋其他作家的轻绮繁缛大不同,有建安遗风。
In the Wei and Jin Dynasties, the most number of individual productions about Yongwu Fu has been well acknowledged as Cao Zhi and Fu Xuan. Their creativity has a lot in common in the way of thought, orientation and techniques. This convergency feature should be related to the character of the authors and the time. Fu Xuan lived in the Xi Jin Dynasty,but obviously inherited the style of Cao Zhi＇s poetic form of poetry for expression. He is quite different from other writers of the same period as the light feature （ referring to topics not profound ; meaning rhetoric extravagant）.
出处
《延安大学学报（社会科学版）》
2015年第3期87-91,共5页
Journal of Yan'an University (Social Sciences Edition)
基金
陕西省高水平大学建设专项资金资助项目(2013SXTS01)
陕西省教育厅项目(09JK294)
关键词
曹植
傅玄
咏物赋
赋体诗意化
Cao Zhi
Fu Xuan
Yongwu Fu
the poetic form of poetry for expression
