摘要
戏曲导演制的确立得益于斯坦尼斯拉夫斯基体系的传播以及受斯坦尼体系影响的话剧理论,而其中的关键是戏曲从两者中引入了"演出的艺术完整性"这一观念。于戏曲导演制而言,这是斯坦尼体系最主要的影响;同时,斯坦尼体系也影响了戏曲表演,主要表现在帮助一般演员体验和进入角色上。戏曲表演经验与斯坦尼体系在观念和技术上相通或相似之处使戏曲可以借鉴斯坦尼体系;又因为一般戏曲演员更多地忽略了内心技术的掌握,因此,戏曲才需要借鉴斯坦尼体系。在这个过程中,戏曲导演逐渐认识到:借鉴必须坚守戏曲本位,而坚守戏曲本位则必须坚守表演本位,坚守表演本位又必须坚守程式本位。如此,才找到了斯坦尼体系中国化的立足点。
The establishment of director center system of Chinese opera benefited from the spread of the Stanislavsky system and Chinese drama theories influenced by the Stanislavsky system. In this process, Chinese opera drew the artistic integrity of performance into its own concept system. To di- rector center system of Chinese opera, this is the most significant influence of the Stanislavsky sys- tem. Meanwhile, the Stanislavsky system also impacted the acting of Chinese opera, especially the aspect of helping the average actors experience and the acting system of Chinese opera and the Stanislavsky ter. However, as the learning deepening, the directors get into roles. And the similarities between system allow the former to learn from the lat- of Chinese opera are beginning to realize that learning opera in tors find must be on the basis of Chinese which the formulated movements opera itself, that is, stick to the acting system of Chinese are the most important. Only in this way could the direc- the foothold of the chinization of the Stanislavsky system.
出处
《文化艺术研究》
2015年第2期68-77,共10页
Studies in Culture and Art
关键词
艺术完整性
程式
斯坦尼体系
戏曲导演制
话剧
the artistic integrity
the formulated movements
the Stanislavsky system
director cen-ter system of Chinese opera
drama
