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非线性建筑中的建构再思考 被引量:3

Reconsidered of the Construction in Non-linear Architecture
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摘要 近年来,随着非线性建筑的实践越来越多的呈现,在奇异独特的建筑造型背后,寻求建筑内在更为本质层次的意义无疑非常重要。而"建构"正是连接建筑的美学特征与内在价值的桥梁。从传统建构理论在当代非线性建筑中的新运用以及非线性建筑所特有新建构因子的浮现两方面,尝试将非线性建筑的实践与建构理论结合在一起,重新思考非线性建筑"诗意的表达"。 In recent years, with the emergence of more and more the non-linear architectural practice, it is undoubtedly of great importance to seek the more essential significance of the interior architecture behind the unique architectural styles. And"construction" is just the bridge connecting the aesthetic features of architecture and its intrinsic value. From the two aspects of the new application of traditional tectonic theory in contemporary non-linear architecture, as well as the emergence of unique new construction factors of non-linear architecture, this paper attempts to combine non-linear architectural practice with construction theories and rethinks the "poetic expression" of non-linear architecture.
作者 陈晓卫 马兰
出处 《华中建筑》 2015年第8期14-18,共5页 Huazhong Architecture
关键词 非线性建筑 建构 材料 诗意的建造 Non-linear, Construction, Material, Poetic construction
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  • 1La Font de Saint Yenne and Ch.-E.Briseux.Examen d'un Essal sur I'architecture,Paris(1754)p47.quoted in Emil Kaufmann “Die Archiekturtheorie d.franzoesischen klassik et.”Repertorium fuer Kunstwissenschaft.XLIV(1924).p.212.
  • 2Karl Boetticher,Die Tektonik der Hellenen.Potsdam(1852).
  • 3Gottfried Semper.Der Stil in den technischen und tektonischen Kuensten,Brunswick(1861).Munich(1863):2nd edition Munich(1879).
  • 4According to Vernon Lee(Beauty and Ugliness etc.London(1912)p.20)the transiation of “Einfuehlung”as empathy is due to Edward Titchener who used it in his Psychology of Thought Processes.London(1909)six years after the first volume of ‘Theodor Lipps'Aesthetik had appeared.
  • 5Reprintedin:Heinrich Wolfflin.Kleine Schriften,Bale(1946).
  • 6Geoffrey Scott.The Architecture of Humanism,2nd ed.London (1924).p.213.The author refers to W?ifflin in his preface and to Lipps in a footnote on p.213.For a discussion of Scott's relation to Lippsian Theory see Reyner Banham.Theory and Design in the First Machine Age.London(1960).p.67.
  • 7Abstraction and Empathy.Worringer's dissertation was published as a book in 1908.an English translation by M.bullock was published in New York in 1953.
  • 8Ernst H.Gombrich.Art and Illusion.New York(1960).p.21:Meyer Schapiro.“Style”.in Anthropology Today.ed.A.L.Kroeber,Chicago(1953).
  • 9Werner HOfmann.“Studien zur Kunsttheorie des 20.Jahrhunderts.”Zeitschtiftf.Kunstgeschichte,XVIII(1955).p.76.
  • 10Paul Klee.The Thinking Eye.J.Spiller ed.London(1961).p.76.

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