摘要
乡愁逐渐成为中国社会发展进程中无法回避的集体性的文化情感。因此,对于乡愁的关注、思考和表达,具有成为文化焦点的可能性和必要性。而传统村落作为古老的中国传统文化和大多数民众日常生活的载体,正在急剧消亡。近年来,在现代化、新型城镇化和新农村建设中,挖掘传统村落的历史文化意义和地域文化、民族文化特色,发挥传统文化的价值,保持民俗生活的活力,成为社会发展面临的重要问题。中宣部的国家重点工程百集大型纪录片《记住乡愁》致力于传统文化的解读和表述,其第9集《街津口村——自尊自强》中强调,乡愁是对于民族历史和群体记忆的文化想象,传统村落中的历史记忆、地域文化(如生活方式)、民族文化(如歌舞、服饰)、民间习俗(如"非遗"代表作)是乡愁情感形象化表达的有效载体,该集纪录片通过具象化、"一主线、双结构"等视听手段的合理运用,将政治导向的价值观与赫哲族的历史、现实生活及文化相连接,从而将其文化融入中华民族的文化认同中。
Nostalgia has become a kind of collective cultural emotion in the process of social development of China. Therefore, the attention, thinking and expression of nostalgia have possibly and necessarily become a cultural focus. As the carrier of Chinese traditional culture and folk life, ancient villages are disappearing rapidly. In recent years, it has become an important issue in social development to explore the historical and cultural significance of traditional villages and the unique features of regional and ethnic cultures, and to exert the values of tra- ditional cultures and maintain the vitality of folk life. The hundred - episode documentary＇film Real Nostalgia which is a national project focuses on the interpretation and expression of Chinese traditional culture. The ninth episode Jiejinkou Village： Self-esteem and Self-improvement emphasizes that nostalgia is a cultural imagination of a people＇s history and memory. As a traditional village, Jiejinkou is full of historical memory and regional cul-ture （such as life style）, ethnic culture （such as songs and costumes）, customs （such as intangible cultural heritages）. These are all effective means and carriers for visual expression of nostalgia. By good use of vivid images and reasonable plot and structure, the episode links the mainstream political values to the history, real life and culture of Hezhen people, and associates them with Chinese nation＇s cultural identity.
出处
《民族艺术研究》
CSSCI
2015年第4期28-34,共7页
Ethnic Art Studies
关键词
乡愁
传统村落
纪录片
赫哲族
nostalgia
traditional village
documentary film
Hezhen people
