海外民族音乐学视野下“音乐与认同”研究被引量：9

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摘要 20世纪80年代初以来民族音乐学研究开始关注到了"音乐与认同"问题。在民族音乐学分析中,音乐作为一种交流的实践方式主要专著于表演和理念的方式。同时,音乐作为文化的表现形态和表征手段之一,对于特定音乐的文化属性、音乐与文化主体之间的认同关系、音乐文化群体身份认同的转变以及音乐文化认同环境的变化所带来的影响等深层次讨论都有着重要意义。音乐是可以被用来建构个人、社会的认同的,因此,在审视族群性和认同在音乐表演中的作用和方法时,还要考虑到其中的主导类别以及与人的关系。然而,在诸多讨论"音乐与认同"的文献中,缺乏连贯、相互关联、整体的、针对性强的著作,这样势必会使音乐学科存在结构性的缺陷。

作者魏琳琳

机构地区中央民族大学民族学与社会学学院

出处《民族艺术》 CSSCI 北大核心 2015年第5期152-157,共6页 National Arts

基金国家社科基金艺术学青年项目"蒙汉杂居区的音乐与文化认同"(15CD136) 中央民族大学团队建设项目"艺术人类学理论与方法建设"(2015MDTD26C)阶段性成果

关键词民族音乐学音乐认同

分类号 J607 [艺术—音乐]

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相关文献

参考文献25

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二级参考文献16

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