摘要
民间剪纸普遍存在于我国民众的日常生活之中,其历史源远流长,最初与信仰祭祀直接相关。中阳剪纸是众多剪纸艺术中的一支奇葩,她的兴起与汉代画像石有密切联系,其图案与纹样中留存了大量的上古文化信息。随着当下社会的发展,以及在国家推行非物质文化遗产的语境中,中阳剪纸艺术本身以及传承人的传承方式、社会身份,传承的文化空间等都发生了相应变化。
Paper-cut is popular in Zhongyang Country,Shangxi Province. It has a long history,and it was originally related to the belief. Zhongyang paper-cut is a wonderful flower whose coming into being is closely linked the Stone Sculpture in Han Dynasty. It reserves a large number of ancient cultural information. With the development of contemporary society,and in the national implementation of the ICH context,Zhongyang paper-cut art as such and the selection of inheritor,the social identity of inheritor,and the cultural heritage space of Zhongyang paper-cut have changed a lot correspondently.
出处
《贺州学院学报》
2015年第3期86-90,共5页
Journal of Hezhou University
基金
2015年山西省软科学项目(2015041010-3)
关键词
非物质文化遗产
剪纸艺术
传承人
文化空间
non-material cultural heritage
the art of paper cutting
heritor
cultural space
