摘要
民族乡村旅游中的文化商业化被学界视为一种普遍现象而受到广泛关注,但缺乏从微观层面的主客文化互动与冲突视角阐释这一现象产生的内在逻辑。通过运用符号互动论关于角色与角色冲突的相关理论,以云南大理鹤庆县新华村的民族舞台表演为研究对象,认为当地社区在舞台设计、展演形式和节目内容中存在民族文化的传统性与商业化之间的冲突,这些冲突反映出东道主在文化展演的微观互动过程中的二难困境。关注这些困境与冲突有利于从微观层面挖掘民族传统文化走向商业化的内在机理与逻辑。
The cultural commercialization in ethnic rural tourism is regarded as an inevitable trend and has at- tracted widespread attention, but the internal logic of this phenomenon is rarely discussed from the micro-level per- spective of cultural interaction between the local residents and tourists. This paper, by taking the theory of role and role conflict from the symbolic interactionism as the guide and the ethnic stage performance in Xinhua Village, Dali, Yunnan as the research object, shows that the conflicts between the tradition-maintaining and commercializa- tion of ethnic culture exist in the performance stage designing, performance form and program schedule, and these conflicts reflect the locals＇ dilemma existing in the process of cultural performance and interaction. Exploring the intra-role conflicts of local residents in culture performance can help to reveal the internal mechanism and logic of commercialization of ethnic culture from the micro-level.
出处
《西北农林科技大学学报（社会科学版）》
CSSCI
北大核心
2015年第6期130-136,共7页
Journal of Northwest A&F University(Social Science Edition)
基金
国家自然科学基金项目(41401136
41401135)
广东省教育厅育苗工程项目(2013WYM_0003)
关键词
民族乡村旅游
传统性
商业化
文化展演
角色内冲突
ethnic rural tourism
tradition
commercialization
culture performance
intra-role conflict
