摘要
本文选取江淮官话通泰片的13个方言点的声调系统,对其进行声学和听感描写,并对其调型进行类型学定位。通泰方言原来应以七声系统为主,但现在大多已减为六声系统了,少数还进一步衰减为五声、甚至四声系统。从类值对应来看,六声系统较为一致,阴平都是中降调,阳平是高调,阴去大多为平调,上声是纯低调。阴阳入都是短调,一般阳高而阴低。而七声五声系统的类值对应并不一致。不过,从调型模式来看,通泰方言和其他方言一样,长调以常四、常三为主。即使是五长调系统,仍大多是‘常四加一’模式。
This paper selects 13 accent points in the Tong-Tai section of Jiang HuM Manderin, depicting their phonetic and heating features and locates their tone type. Tong - Tai accent was mainly a seven - tone system, but now it has been reduced to six, or even further declined to five or four tones system. Observed from type value correspondence, six- tone system is more consistent, while the seven and five -tone systems are not consistent. However, observed from tone type mode, similar to other accents, the long tones in Tong -Tai accent are mainly constant 4 or constant 3. Even the 5 long -tone system is usually a ＂constant 4 plus one＂ mode.
出处
《南京师范大学文学院学报》
CSSCI
2015年第4期149-156,共8页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
国家社会科学基金13CYY016
教育部人文社会科学研究基金11YJC740152
教育部人文社会科学研究基金14YJC740078
香港研资局GRF 16402114
