摘要
'身韵'是中国古典舞的训练课程,是北京舞蹈学院20世纪80年代中期最重要的教学成果之一。作为一门训练课程,'身韵'给中国古典舞的学科建设带来两个实质性的突破:一是在舞蹈教学中,中国古典舞从外部形态的感知深入到内部神韵的求索,古典舞的文化意味和审美想象得到具有历史深度的确立;二是在舞蹈创作中,中国古典舞摆脱了人物形象的'行当专属性'和动态表达的'语意程式化',使古典舞的表达能力和艺术风尚凸显具有时代高度的品质。作为'学科建设的中国古典舞'的训练方法和教材,'身韵'体现了中国传统文化精粹,其中'身韵'中的'韵'还体现了'超‘线条’之上的精神意境'。'身韵'中还包含着我们民族的运动时空观和审美意象论。总之,'身韵'是中国古典舞发展创新的根基,它的存在使中国古典舞专业建设更具内涵性和说服力。
'Body Rhythm'is a basic training course of Chinese classical dance,and one of the most important teaching achievements in Beijing Dance Academy in the mid-1980 s.As a training course,'body rhythm'brings two substantive breakthroughs to the discipline construction of Chinese classical dance.First,in dance teaching,Chinese classical dance goes deep from the perception of external form to the pursuit of internal charm,establishing the cultural significance and the aesthetic imagination of classical dance with historical depth.Second,in dance creation process,Chinese classical dance gets rid of'profession exclusivity'of the character image and the'semantic stylization'of the dynamic expression,highlighting time features to the expression ability and artistic style of classical dance.As the training method and teaching material of'Chinese classical dance for discipline construction','body rhythm'embodies the essence of traditional Chinese culture,while the'rhythm'in'body rhythm'also embodies the spiritual prospect beyond the'figure'.In addition,'body rhythm'contains our nation’s view of time and space and theory of aesthetic imagery.In a word,'body rhythm'is the foundation of the development and innovation of Chinese classical dance,and its existence makes the discipline construction of Chinese classical dance more connotative and persuasive.
作者
于平
YU Ping(Ministry of Culture and Tourism,Beijing 100020,China)
出处
《北京舞蹈学院学报》
CSSCI
2019年第2期6-16,共11页
Journal of Beijing Dance Academy
关键词
身韵
中国古典舞
学科建设
'body rhythm'
Chinese classical dance
discipline construction
