摘要
"故乡"之于鲁迅不仅作为题材和启蒙的对象被表现,而且被赋予生命与写作中的本源价值和意义;乡愁书写也不仅仅是思乡情结或者理智与情感之纠结的体现,而成为鲁迅自我认同的基本途径。鲁迅的乡愁书写开启了现代中国文学的乡愁认同——一种反思性和批判性的文学认同之路。在全球化的今天,随着乡愁与认同的问题再一次成为我们时代的症候和热点问题,鲁迅的乡愁认同之路对于世界范围内汉语写作的"开端"意义也日益凸显出来。
For Lu Xun, “hometown” is not only expressed as a subject and an enlightened object, but is also endowedwith life, value and meaning in his writings. The writing of nostalgia for him is not only an expression for homesickcomplex, but also a basic way for self-identification. Lu Xun’s writing of nostalgia opens a way to “nostalgicidentification” in Chinese modern literature： a way for reflective and critical literary identification. In the globalizationtoday, nostalgia and identification again become the symptoms and hot issues of our times, and Lu Xun’s nostalgicidentification becomes increasingly highlighted with its significance for the “beginning” of Chinese writing in thewhole world.
出处
《中南大学学报（社会科学版）》
CSSCI
2016年第2期153-158,共6页
Journal of Central South University：Social Sciences
基金
广东省哲学社会科学年度学科共建项目(GD13XZW05)
教育部人文社会科学研究一般项目(14YJA751017)
关键词
鲁迅
“故乡”
乡愁书写
乡愁认同
Lu Xun
＂hometown＂
writing of nostalgia
nostalgic identification
