摘要
经历过上世纪八九十年代港片辉煌的僵尸喜剧,近几年成为香港电影"港味"怀旧的重要题材,其典型的类型气质以及在国族认同视阈中的港人心态均造就了其在类型衍变过程中的不同特点。香港僵尸喜剧是港产电影类型延异、杂糅气质的典型代表,其以"本"为基本叙事单元的段落性叙事特征更耦合于港产电影的类型能产机制,使其不断自我擦除并衍生新元素的延异型叙事表现出强烈的故事张力,进而促成了这一特殊电影类型一度的辉煌。然而,潜隐于僵尸喜剧混乱、焦虑式叙事背后的,却是香港回归前后港人对国族身份的象征性拒斥与文化认同上的"撕裂感",这种文化心态依旧存在当下的"港味"电影中。
In recent years, zombie comedy films in Hong Kong, after flourishing in the 1980 s and 1990 s, have become an important theme for nostalgic‘Hong Kong taste＇in Hong Kong films, whose typical genre quality and the mentality of Hong Kong people as perceived in the national identity have created different characteristics in the process of genre changes. Hong Kong zombie comedy is a typical representative of différance and hybridity in Hong Kong-produced films, its paragraph-based narrative a feature of its narrative units based on‘copy＇more in keeping with the genre-producing mechanism of Hong Kong-produced films, so that it can keep self-effacing and generating difference-based narratives of new elements in the ex pression of strong narrative tension, thus achieving the erstwhile success of such genres. However, what hides behind the confusion of the zombie comedy and anxiety narrative is the symbolic rejection by Hong Kong people of national identity before and after the return of Hong Kong and the sense o‘fripping apart＇in cultural identity. Such a cultural mentality still exists in today＇‘sHong-Kong taste＇films.
出处
《华文文学》
CSSCI
北大核心
2016年第2期94-100,共7页
Literatures in Chinese
关键词
香港僵尸喜剧
延异型叙事
类型能产机制
文化认同
Hong Kong zombie comedy
difference-based narrative
genre-producing mechanism
cultural identity
