摘要
诞生于乡土社会的民歌类非物质文化遗产,当它们展演于都市舞台之时,在看与听、演与唱的关系处理上,在歌手身份的转换以及歌唱语言的选择上,都难免产生置换。这既是乡土艺术向消费社会的文化逻辑之被动屈服,并或多或少造成文化原真性的损耗,也使得传统文化在当代社会重新焕发出活力。从"安徽民歌精粹展演"中可以清晰见出民歌类非物质文化遗产传承与保护的现实境遇。
Folk intangible cultural heritages originated from rural society. When performed on the stage of city, they are inevitably deeply reformed in treating watching and listening, performing and singing,conversing the singer identity, and choosing the language for singing. This is not only the passive yielding of local art to the cultural logic of consumer society and cause more or less loss of cultural authenticity, but also makes traditional culture in contemporary society to glow with vitality. Essence Show of Anhui Folk Songs clearly reveals the reality in which folksongs of intangible cultural heritage are protected and inherited.
出处
《淮南师范学院学报》
2015年第6期111-114,共4页
Journal of Huainan Normal University
基金
安徽省哲学社会科学规划项目(AHSKQ2014D101)
关键词
民歌
非物质文化遗产
文化真实
folk song
intangible cultural heritage
cultural reality
