摘要
在中国,最早的真正意义上的现代文艺年鉴是20世纪30年代由现代书局出版的《中国文艺年鉴(第一回)1932年》,此后还有北新书局的杨晋豪编纂的1933-1936年度《中国文艺年鉴》。20世纪30年代是思潮迭起,众声喧哗的时代。在文艺论争视域下反观由个人编纂的20世纪30年代《中国文艺年鉴》,我们可以看到微妙的偏重与忽视,这犹如一道缝隙,透过它,可以看到20世纪30年代文坛的驳杂景象。
In China,the first Modern Art Yearbook in the true sense is“Chinese Literature and Art Year-book （for the first time ）1932”published by Modern Publishing House in 1930s,since then, Yang Jinhao who worked in BeiXin Publishing House compiled 1933-1936 year “Chinese Literature and Art Yearbook”. Dif-ferent thoughts and voices prevailed in the 1930s. Studying Literature and Art Yearbook wrote by individuals in the view of literature debate, we can find slight emphasis and neglect, which leaves a gap in the whole histori-cal narrative, through it, you can see the complexity of 1930’ literary arena.
出处
《哈尔滨师范大学社会科学学报》
2016年第2期97-100,共4页
Journal of Social Science of Harbin Normal University
基金
陕西师范大学研究生培养创新基金项目(2015CXS006)
关键词
文艺论争
《中国文艺年鉴》
话语权力
左翼
现代书局
literary debate
＂Yearbook of Chinese Literature and Art＂
discourse power
left wing
ModemPublishing House
