摘要
文章以"建构学"讨论为主线,分析了"采摘亭"、"花草亭"、"何陋轩"三亭的弱建构、非建构和反建构表现,以及各自达成诗意建造的差异途径,揭示了"中国式建构理论"对于肯尼思·弗兰姆普敦"迷思"态建构文化研究的误读、转译以及变造,并指出"中国式建构学"理论内部的诸多悖论与问题。
Around the discussion of ＇q-ectonics＂ this article examines the manifestation of weak- tectonics, nontectonics and antitectonics in the design of ＂Harvest Pavilion＂, ＂Blossom Pavilion＂ and ＂Helou Pavilion＂, and how poetic construction is achieved in each case respectively. It tends to reveal the fact that ＂tectonic theory in Chinese style ＂ has misinterpreted, transcribed and altered Frampton＇s ＂Myth-like＂ study on tectonic culture, and to point out various internal paradoxes and issues of ＂tectonic studies in Chinese style＂.
出处
《时代建筑》
2016年第3期34-41,共8页
Time + Architecture
关键词
建构
建构学
建构理论
迷思
弱建构
非建构
反建构
中国式建构
Tectonic
Tectonics
Tectonic Theory
Myth
Weak-tectonics
Nontectonics
Antitectonics
Tectonics in Chinese Style
