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红山文化遗址陶人形象的“呼”与“胡”的关系及“胡”的历史沿革

The Relations of “Hu 呼”and “Hu 胡”of Ceramic Dolls in Hongshan culture Site and the Historical Evolution of “Hu 胡”
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摘要 红山文化是中国北方最著名的考古学文化,是享誉整个东北亚的史前考古学文化。历经半个多世纪、几代人的不断努力,通过对相关地区发掘出土的文物的细致研究,学术界已经普遍认为红山文化是五千年中华文明的发源地之一,在推动中国北方草原游牧文化与中原地区农耕文化的交流、整合、汇聚过程中起到了不可替代的作用。而西辽河流域出土的相关陶人、石人中的某些形象都在向后人昭示着与该地区后来的"胡人"、"胡族"的联系。并且让我们看到"胡"人与中原王朝交融、争夺祭统权从而为争夺政统权所展开的舆论宣传的痕迹。 Hongshan culture is the most popular archaeological culture, known all around the northeast Asiaas prehistoric archaeological culture. Through more than haE century's continuous efforts of several generationsand detailed studies of unearthed cultural relics from related area, academics widely believe that Hongshanculture is one of the places where Chinese civilization originated, which has an irreplaceable role in acceleratingthe communication, integration and convergence of grassland nomadic culture in northern China and farmingculture in central plains region. However, some images of ceramic dolls and stone mans unearthed from westLiao river basin reflect the relationship of MHu ManM and MHu Minority" to indicate the evidence of propagandaof public opinion on the battle for the administrative power between MHu Man" and the central Plains dynasty.
作者 沙颖
出处 《赤峰学院学报(哲学社会科学版)》 2016年第8期1-4,共4页 Journal of Chifeng University:Philosophy and Social Science Chinese Edition
关键词 红山文化 萨满 Hongshan Culture Hu Shaman
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