摘要
相比于科幻电影在世界电影市场体系中的重要位置,中国的科幻电影创作可以用贫瘠来形容。如此现状,与电影从发展到兴盛的一百年中,中国绝大部分时间处在战乱、饥荒、不太平的现实情况有关,也与重视现实、反思过去的思想倾向有关。在1986年,西安电影制片厂出品了《错位》(黄建新导演,黄欣编剧),在"探索电影""伤痕文学"大为兴盛的彼时,同为第五代导演的黄建新,却用科幻电影的模式,在艺术风格、故事内容和现实关怀上做出了独有的开创。《错位》这样诞生于特殊时代下的科幻电影,也成为中国科幻电影、乃至整个科幻文艺创作历程上一部有着别样意义的作品。
China has been lagging behind the world film market system in science fiction creation for the reasons of chaos caused by wars and famines as well as the ideological trend of giving too much superior to reality and reflection on the past.The film of Dislocation produced in 1986 by Xi＇an Film Studio（directed by HUANG Jian-xin,and scripted by HUANG Xin） brought forth new ideas in artistic style,story,and its solicitude for reality in the form of science fiction film.The birth of the science fiction film of Dislocation is of great significance in the history of science fiction film of both China and the world.
出处
《西安文理学院学报（社会科学版）》
2016年第4期16-19,共4页
Journal of Xi’an University(Social Sciences Edition)
关键词
错位
科幼电影
早期探索
黄建新
Dislocation
science fiction film
early exploration
HUANG Jian-xin
