摘要
新世纪以来,在非物质文化遗产保护浪潮和电影产业发展的双重推动下,围绕"非遗"文化事象或传承人创作的"非遗"题材电影大量涌现,这些电影不仅肩负"非遗"文化事象记录、保存、宣传和传播等职责,也有助于提升民众的文化认同,进而在全社会营造"非遗"保护的良好氛围。然而,电影兼具传播媒介与娱乐产品的双重属性,这使当下"非遗"题材电影创作与传播面临电影的虚拟性易对"非遗"文化事象的真实记录产生影响、电影的凝固性与"非遗"的活态性之间存在悖论、电影的逐利性易使其成为"小众"电影、所表达的思想也可能与观众的认同存在一定的误差等诸多问题。在"非遗"题材电影创作中,创作者应坚持"忠实记录"和"精耕细作"原则,政府和文化主管部门也应积极扶持这类电影的创作与传播,多方合力,才能将其构建成民族优秀传统文化体系中的"文化景观"。
Promoted by the movement of intangible cultural heritage protection and the development of the film industry, in the new century, a large number of films themed on the Feiyi （ intangible cultural heritage） practice or inheritors emerged. These films not only carry responsibility of documenting, preserving, popu- larizing and disseminating the Feiyi, but also promote the cultural identity of the general public which further cultivates a beneficial environment where the whole society care about the Feiyi protection. However, film is both a media and an entertainment product, which then entails several issues ： the creation and dissemina- tion of Feiyi themed film is faced with the problem that the authentic documentation of the Feiyi practice is influenced by the virtuality of film, the paradox that exists between the coagulability of film and the dynamics of Feiyi, and furthermore, since film is a profit - driven product, it will become a minority genre film and its idea might divergent from the acknowledgement of the audience. In the creation of Feiyi themed film, the di- rector should abide by the principle of ＂true documentation＂ and ＂intensive cultivation＂, and the govern- ment and the cultural department should also positively support the creation, dissemination of this genre of film because a multiple endeavor will make it a ＂cultural spectacle＂ in the excellent ethnic traditional cultur- al system.
出处
《民族艺术研究》
CSSCI
2016年第4期36-42,共7页
Ethnic Art Studies
关键词
民族记忆
“非遗”题材电影
创作
传播
ethnic memory, Feiyi （ intangible cultural heritage） themed film, creation, dissemination
