摘要
影像作为一种文化载体,一部电影发展史,也是一部文化变迁史。异质文化孕育着相异的影像风格,相较于西方文化的外侵性,东方文化则具有更大的内在整一性和包容性。化之于电影,西方电影形成了多以强烈快速的影像节奏为其外在表征,而东方电影则集中呈现出一种缓慢、写意式的影像风格。在全球化、现代化日新月异及社会文化转型的今天,伴随着西方文化的强势入侵和中华文化"走出去"的时代召唤,该如何守住民族文化之根和更好地对外传播中国本土电影的独特气质,是每个电影人无法回避也不得不深思的问题。文章以影像节奏为研究视角,探寻慢节奏影像与东方文化基因之间的内在关联与相互影响。
Film is a carrier of culture. The history of film development also reveals the transition of culture. Films from different cultures vary in style. Comparison to the aggressive western culture, the oriental culture tends to be more internally unified and inclusive. In terms of film, the western film is usually featured by its strong and rapid rhythm while the oriental film appears to be in a slow and abstract style. In a time of globalization, modernization and transformation of social culture, with the strong aggression of western culture and the call of promoting Chinese culture to the world, each Chinese film practitioner has to, inevitably, think over how to maintain the basis of national culture and promote the unique feature of Chinese national film in a better way. This article, focusing on the approach of film rhythm, attempts to explore the connections and interactions between slow rhythm film and oriental cultural genes.
出处
《民族艺林》
2016年第3期17-23,共7页
Journal of Ethnic Art
关键词
电影节奏
东方文化
全球化
民族性
film rhythm
oriental culture
globalization
national characteristic
