摘要
以存在论视域观之,《红楼梦》和《雷雨》实现了经典性和现代性的衔接和交集。首先,两者都基于一种情本体的审美诉求,即以"情"而不是传统的"理性"作为人生的最终实在和存在的本体价值,这种基于存在论的创作立场彰显了超越时代的人性内容和生命追询。其次,在对世界的诗性把握上两者都采取了象征性的梦幻结构,通过"痴人说梦"的超现实描写和生命宇宙境界的营构,于有限的生存中追问无限的存在。其三,两者都具有现代性的悲剧品质,作者把一家一姓的盛衰扩延为"悲凉之雾,遍被华林"的生存状态,表达了从存在的焦虑到生命的悲悯的文学忧思。
Viewing from the ontological perspective, The Dream of the Red Chamber and Thunderstorm have many coincidences and similarities in regard to their canonicity and modernity. First and foremost, both novels are based on an artistic appeal of sentiment, that is, human affection, replacing the traditional ＂rationality＂, becomes the true value of being. This ontological standpoint makes both works time-transcending in questioning and exploring the real meaning of human and life. Second, both novels adopt emblematic and fantasy structure to present the poetic understanding of the world. The illusion-like and surreal description of life and universe is the inquiry of infinite being in the finite living. Third, both are modernistic tragedies, extending one family＇s prosperity and decline to a nationwide situation of living. Through the symbolic narration of ＂the fog of sadness shrouds the once prosperous forest＂, these two classics embody the worry to living and, above all, the compassion of the whole being.
出处
《社会科学》
CSSCI
北大核心
2016年第11期174-183,共10页
Journal of Social Sciences
关键词
《红楼梦》
《雷雨》
存在论
经典性
现代性
The Dream of the Red Chamber
Thunderstorm
Ontology
Canonicity
Modernity
