摘要
在蔚为大观的六朝志怪作品中,吴均的《鹅笼书生》因其故事奇幻诡谲,备受历代读者关注。从《梵志吐壶》到《外国道人》再到《鹅笼书生》,故事情节越来越精彩,艺术功用也由最初比较直白的教化逐渐向更高水平的艺术批判转变,经过了艺术的再加工,可读性和教化作用不断增强。
Among the splendid mythical works of Six Dynasties, the story E Long Shu Sheng by Wu Jun receives extensive concerns from readers in past ages due to its fantasy and treacherousness. From Fan ZhiTu Hu to Wai Guo Dao Ren and to E Long Sbu Sheng, wonderful progress in scenario design and successful transformation in artistic function from straightforward moral education in the first place to more advanced artistic criticism with enhanced readableness and enlightenment are clearly displayed.
出处
《齐鲁师范学院学报》
2016年第6期136-140,共5页
Journal of Qilu Normal University
关键词
鹅笼书生
梵志吐壶
教化
志怪艺术
E Long Shu Sheng
FanZhiTuHu
Enlightenment
Mythical arts
