摘要
本文以笔者参与编创的作品《傩情》为例,剖析《傩情》中所蕴含的传统与现代的"双重价值"在舞台化处理中的当下体现,以小见大地探讨当代中国民族民间舞创作与研究中逐渐体现出的鲜明发展路径:即以立足传统文化为原点、追求传统文化精神和审美的现代体现以及呈现从"仪式"到"剧场"的时空转换。
Modernity is a comprehensive concept which covers various fields, and cuhural modernity has provided transcendental vision and inside experience towards our understanding of modern cultural research. The paper takes Nuo Qing as an example, and analyzes the ＂Dual Values＂ manifested in the performance, suggesting a developing path in the choreography of contemporary Chinese ethnic and folk dance： the combination of both tradition and modernity. The paper also puts forward the modernization of traditional Chinese culture of ＂ harmony between the heaven and human＂, and advocates harmony and moderation, and the time and space transferring from ritual to theatre. The root-seeking consciousness continues to heat up in the contemporary choreography of Chinese ethnic and folk dance, while the modernity stigma cannot be ignored during our inheritance and development process.
作者
武帅
WU Shuai(Youth Dance Company,Beijing Dance Academy, Beijing 100081, China)
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2016年第6期40-43,共4页
Journal of Beijing Dance Academy
关键词
民族民间舞
创作
现代性
传统文化
《傩情》
ethnic and folk dance
choreography
modernity
traditional culture
Nuo Qing
