摘要
当代戏剧研究领域的诸多分支中,中国近现代戏剧的研究有了明显突破。京剧研究与梅兰芳研究是剧种研究的热点,《昆曲艺术大典》代表了当代剧种研究成果的水平。地方剧种研究的升温,成为当代戏剧研究新的学术增长点。《全明戏曲》《全清戏曲》的编撰,《京剧历史文献汇编(清代卷)》及《续编》、《梅兰芳全集》的出版,是戏剧历史文献搜集整理出版的重大进展。但戏剧基础理论研究相对弱势,中国戏剧表演体系研究推进缓慢,话剧理论和外国戏剧研究逐渐边缘化的现象,应该引起戏剧学科的重视。
Among many sub -disciplines of contemporary the studies of modem and contemporary Chinese theatre. focus of the studies of the genre of theatre, for example, latest research fruits. It has been an emerging academic theatre studies, an obvious breakthrough is seen in Peking Opera and the study of Mei Lanfang are the Grand Dictionary of the Kunqu Opera represents the momentum to study local theatrical genres. On the other side, breakthrough in the documentation and publication of historical theatrical archives is seen in the publications of Traditional Chinese Opera in the Ming Dynasty, Traditional Chinese Opera in the Qing Dynas- ty, Document Collection of Historical Archives of Peking Opera （ Qing Dynasty） and its Sequel, and Complete Works of Mei Lanfang. However, it is noticed that the basic theory study of theatre is relatively weak, the study of Chinese theatrical performance system stagnates, the study of theatrical theory and foreign drama is gradually marginalized, which will definitely arouse deep concern in the field of drama studies.
出处
《民族艺术研究》
2017年第1期5-11,共7页
Ethnic Art Studies
关键词
戏剧学科
剧种研究
戏剧历史文献资料
戏剧基础理论研究
theatre studies, study of the theatrical genre, publication of the historical theatrical archives,study of basic theatrical theories
