摘要
中国油画先驱王道源,是我国最早留学日本的油画研究生之一。王道源的画风因袭了法国印象画派的方法和写实性的造型风格。这种画风一直贯穿到1949年以后。新中国成立前后,王道源制作的系列巨幅领袖肖像奠定了他在广东美术界的重要地位。2011年,广州美术学院与广东美术馆联合举办了王道源的美术作品展,使王道源的作品以及他的名字再度出现在世人面前,但还需要进一步从中国近现代美术史的视角深入地进行分析与探讨,将他纳入中国近现代美术史中做深入地考察,才能找准他在中国近现代美术史中的地位与贡献。
The Chinese pioneer of oil painting, Wang Daoyuan, is one of the first oil painting - majored post -graduate students studied in Japan. Wang＇s painting style inherited the French impressionist methods and realistic modeling style which he kept until 1949 and afterwards. Around the time when the New China was founded, a series of portrait of the leaders painted by Wang Daoyuan prepared his important position in the art field in Guangdong. In 2011, Guangzhou Academy of Fine Arts and Guangdong Art Gallery collaborated to hold an art exhibition of Wang Daoyuan, which brought Wang Daoyuan and his works to the public again. However, it is needed to investigate and discuss at a deeper level of him from the perspective of Chinese modern and contemporary fine art history so as to ascertain his position and contribution in Chinese modem and contemporary fine art history.
出处
《民族艺术研究》
2017年第1期140-150,共11页
Ethnic Art Studies
基金
2016年度国家社科基金艺术学重点项目“中国传统艺术母题与主题学体系研究”(16AA001)~~
关键词
王道源
油画先驱
失踪者
美术史
Wang Daoyuan, oil painting pioneer, missing person, fine art history
