期刊文献+

望江挑花与黄梅挑花艺术比较 被引量:4

Differences Between Wangjiang Cross Stitch and Huangmei Cross Stitch Art
下载PDF
导出
摘要 同属于汉族实用性挑花艺术的传统望江挑花与黄梅挑花,在表现内容和造型方法上有着一定的共性特征,但又因其所属的地域文化背景不同,导致两者在艺术特色上呈现出明显的差异,前者秉承了古皖文化朴素内敛的风格特征,色彩素净、布局简淡、情感朴素;后者具有典型的楚风楚韵,色彩绚丽、布局满密、情感热烈。面对当今的社会发展,要想传承和发展这两种挑花艺术,需要把握时机、转换思路,进行不断的创新与开发,以适应市场的需求。 Belonging to the Han practical Cross Stitch Art of tradition, Wangjiang cross stitch and Huangmei cross stitch have some common characteristics in the performance of contents and the method of modeling, but due to the different geographical and cultural background, there are obvious differences in their artistic features. Adhering to the simple and restrained style characteristic of the Anhui culture, color of the former is very simple, layout is very elegant, and emotion is of much simplicity; The latter has typical Chu verses&Chu rhymes, its color is very rich, layout is very full, emotion is very warm. Facing the development of today's society, to inherit and develop the art of the two cross stitch, we need to grasp the opportunity, change train of thought, promote continuous innovation and development, to meet the market demand.
出处 《武汉纺织大学学报》 2017年第1期51-55,共5页 Journal of Wuhan Textile University
基金 安徽省教育厅人文社会科学研究项目(2011SK211) 安徽省教育厅人文社科重点研究基地一般项目(SK2013BO54)
关键词 望江挑花 黄梅挑花 艺术特色 比较 Wangjiang cross stitch Huangmei cross stitch art characteristic comparison
  • 相关文献

参考文献4

二级参考文献9

  • 1张宜书.黄梅挑花艺术特色分析[J].装饰,2004(5):61-61. 被引量:8
  • 2章长干,姚本奎.苗族数纱[M].长沙:湖南美术出版社,2009:9.
  • 3王世福.再谈望江挑花.雷池,2009,(12):56-56.
  • 4王世福.漫谈古皖挑花.安徽文物工作,2003,(2):59-60.
  • 5王世福.也谈望江挑花[N].文化周报,1998-05-08(4).
  • 6唐家路.民间艺术的文化生态论[M].北京:清华大学出版社,2006.
  • 7胡劲松.望江挑花植根乡土传雅韵[N].安徽日报,2011-04-15(C01).
  • 8望江地方志编纂委员会.望江县志[M].合肥:黄山书社出版社,1995:525.
  • 9刘朝晖.黄梅挑花与花瑶挑花的艺术特色[J].装饰,2011(4):71-72. 被引量:11

共引文献33

同被引文献24

引证文献4

二级引证文献7

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部