摘要
现存以鼠为题的十数篇赋作中,其形容动静、生活习性以及人鼠矛盾的刻画别无二致,其托喻刺世主题更是大同小异。老鼠本是不劳而获且贪得无厌之物,诸位鼠赋作者不约而同亦在情理之中。然而缘何各种文体唯独赋中鼠之形象千百年不出异调?究其根本,当以"赋者,古诗之流"为线索,溯源古《诗》,即可知老鼠文学形象在古《诗》出现的时代已然定型。在由鼠赋寻根至古《诗》之鼠的过程中,又可见"六义入赋"对鼠赋体、法、用的影响,也可借以体会"赋者"何以为"古诗之流"。
Among the ten existing fu poems on rats, the descriptions are indistinguishable concerning rats＇ activities, life and conflicts with human beings and even their symbolic themes are largely identical with minor differences. Those fu writers were reasonable, because generally rats are a kind of animals that are extremely insatiable and always want something for nothing. However, among so many literary genres in 1,000 years, why have not there been different opinions on the image of rats fu poems？ Tracing to The Book of Songs, it is found that the rat image has been so long made into a stereotype. Besides, in the process of research through the concrete writings on rats, the paper makes an investigation of the influence of ＂six meanings＂ on the genre, rules and uses of fu. Moreover, the paper systematically expounds why fu was developed from The Book of Songs.
作者
刘泽
LIU Ze(Nanjing University, Nanjing 210046, China)
出处
《东方论坛（青岛大学学报）》
2017年第1期15-21,共7页
Eastern Forum（JOURNAL OF QINGDAO UNIVERSITY）
关键词
鼠赋
《诗经》
《硕鼠》
六义入赋
fu poems on rats
The Book of Songs
six meanings into fu poems
