摘要
高友工中国文学"抒情传统"建构思路之一是以律诗为中心,考察其"前史"与"后传",为中国抒情诗的文体演变秩序勾勒一个史之简纲。如果说从五言诗到律诗的文体演变,表现在"描写"与"抒情"这两种表现手法的逐渐融合上,词体,尤其是南宋词对律体表现性能的拓展,主要表现在节律(时间)与图式(空间)的争衡与融合中。从文体学考察中国抒情诗史,高友工既注重辨析各类抒情文体的形式规则,并从文体考察风格,又注重追溯文体各要素的崇替规律,所遵循的实际上是一种新批评派的"内部文学史"建构模式。
One of Yu - Kung Kao＇ s ideas of constructing the tradition of Chinese lyrical literature is focu- sing on the regulated verse, investigating its ＂pro -history＂ and ＂post -history＂, so as to draw a historical outline for the stylistic development of Chinese lyrics poetry. The evolution from ＂five - character＂ poetry to regulated verse is mainly demonstrated in the merging of two expression techniques, namely, ＂description＂ and ＂expressing emotion＂. The Ci style, especially that of the Southern Song Dynasty, mainly expanded the capacity of Chinese lyric poems by balancing and integrating rhythm （time） and schema （space）. Observing the history of Chinese lyric poetry from the stylistic perspective, Kao on the one hand distinguishes the different forms and rules of different lyric styles; on the other hand, he tries to track the law of how different styles replace one after another. His research is actually following a constructing mode of ＂internal literature history＂ which belongs to the school of New Criticism.
出处
《南京师范大学文学院学报》
CSSCI
2017年第1期142-148,共7页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
广东省高校优秀青年教师培养计划培养项目"‘中国抒情传统’海外建构研究"(编号YQ2015166)
佛山科学技术学院优秀青年教师培养项目"高友工与中国抒情学的海外建构"(编号FSYQ-201401)
关键词
高友工
抒情诗
中国诗史
Yu - kung Kao
Lyrics
Chinese poetic history
