摘要
本文从声、音、乐的审美维度对《乐记》和《声无哀乐论》两者进行具体辨析,通过比较去发现它们音乐美学观的"同中之异"和"异中之同",力求找出其异同的原因,并说明批判继承两者音乐美学观对建构当代中国音乐美学的意义。
This paper compares ‘Yue Ji＇ with ‘Sheng Wu Ai Le Lun＇ from the aesthetic perspectives of sound, tone and music. The differences and similarities of the two music theory works are dealt with in detail, in the hope of tracing their causes. The aesthetic theories from the two classics can be conducive to construct contemporary China＇s music aesthetics.
作者
廖幸瑶
LIAO Xinyao(Guangdong Civil Affairs School, Guangzhou, Guangdong 510310, China)
出处
《深圳职业技术学院学报》
CAS
2017年第2期29-33,共5页
Journal of Shenzhen Polytechnic
