摘要
《京剧瞬间》是陈其钢以京剧为音乐素材创作的两首钢琴作品中的一首,作为一首中国当代钢琴独奏作品,作曲家赋予其主题材料多元的音响形态表达,使作品主题在呈示与发展的过程中以变奏的手法构筑两个京剧过门核心音乐素材。本文将探寻京剧"行弦"和"二黄"音调素材下具"有限移位调式"思维的独特音响建构方式,剖析作品多元的音响形态。
Peking Opera Moment is one of the two piano works created by Chen Qigang who takes Peking Opera as musical material. As a contemporary Chinese piano solo, the composer gives the theme a variety of audio forms, so that the theme of work builds two opera doors as key musical materials by variation in the process of presentation and development. This article explores the unique style of “ Tone” and “ Erhuang” tone material under the “limited shift mode” thinking,and analyzes the diverse forms of the works.
出处
《临沂大学学报》
2017年第2期42-49,共8页
Journal of Linyi University
基金
上海市艺术科学规划项目(2015D04)
关键词
中国当代钢琴音乐
音响形态
建构方式
有限移位
Chinese contemporary piano music
sound form
construction mode
limited shift
