摘要
樊粹庭倾注毕生的精力才智致力于豫剧的改革和创新:改建现代化剧场,组建行当齐全的演员阵容,扩充提升豫剧祥符调唱腔体系,"因人设戏"编创剧本和培养舞台精英,建构中西合璧、古今融通的编导理念,完善以编剧导演为中心、以演员为主体、以观众为接受和评判群体的运营机制。他不仅引导豫剧高扬民族精神、弘扬中原文化,且在民族解放的进程中实现豫剧的现代化转型,铸造为受众最多、传播最广、影响力最大的地方剧种。历史的汗青将樊粹庭定格为"现代豫剧之父"和近代地方戏改革的先驱之一。
Fan Cuiting pours all his energy and intelligence into the reform and innovation of Yu opera.He establishes the modern theater,recruits the full cast of players,and expands the system of the tunes of Yu opera.He advocates the composition should meet the demands of the players so as to cultivate the stage stars.He tries to combine the eastern and western theories of direction through the ways of making the director as the center,treating the group of players as the main body,and the audiences’ acceptance and critics’ judgment as the standard of success,so as to realize the modernization of Yu opera,making it influential and being widely spread.
出处
《岭南师范学院学报》
2017年第1期101-106,共6页
Journal of Lingnan Normal University
关键词
樊粹庭
豫剧改革
“现代豫剧之父”
Fan Cuiting
reform of Yu opera
father of modern Yu opera
