摘要
以编导和音乐创作人员杨兰春、王基笑为核心,河南豫剧院三团创作风格的形成,是延安革命音乐创作民族化探索传统的延续。河南豫剧院三团的整体创作方式,基本遵循着延安民族化新音乐、新歌剧、新戏曲的创作方式,以民间生活、民间艺术作为现代戏曲创作的来源与根本,进行新的戏曲形式的创造。而且还坚持"集体创作"的原则,在编创剧本、排演与演出过程中,把所有演职人员与观众视为不可分割的有机整体。同时,吸收传统戏曲音乐精华并融汇河南民间音乐资源,创造豫剧现代戏的新音乐。
Centering on Yang Lanchun and Wang Jixiao, the core members of directing and music creation, the formation of creation style of the Third Troupe of Henan Opera Theatre has continued the tradition of nationalized exploration of Yah＇ an revolutionary music creation. That is, the whole creation formula of the Third Troupe of Henan Opera Theatre basically adheres to the creative method of the nationalized new music, new opera and new drama. Taking local people＇ s life and art as the root and source, they create new operas. Furthermore, in script writing, rehearsing and performing, they adhere to the principle of ＂collective creation＂, treating all cast members and the audience as an inseparable whole. Meanwhile, they absorb the best of traditional operas, and merge the resource of Henan folk music to create the new music for the modern Henan opera.
作者
陈宗花
Chen Zonghua(Academy of Arts, Henan University, Kaifeng Henan,475001)
出处
《山东师范大学学报（人文社会科学版）》
CSSCI
2017年第1期50-60,共11页
Journal of Shandong Normal University(Humanities and Social Sciences)
基金
国家社科基金艺术学项目"大众化
民族形式探索与革命音乐形态的生成"(16BD049)
河南省哲学社科基础研究重大项目(2017-zczd-005)
河南省高校科技创新人才支持计划
河南省教育厅哲学社会科学优秀学者资助项目(2013-YXXZ-12)的阶段性成果
关键词
延安革命音乐传统
豫剧现代戏
民族化风格
杨兰春
集体创作
the tradition of Yan＇ an revolutionary music creation
modern Henan opera
nationalized style
Yang Lanchun
collective creation
