摘要
家具不仅是物质性存在,同时也是符号性存在,它体现了一定历史时期人们追求的审美意境。作为一种方法论,艺术符号学能很好地诠释中国传统的意境理论,这是新时期中式家具意境建构的理论基础。在艺术符号学视域下,中式家具意境的建构首先应当准确地把握时代语义,进而精确提炼象征符号,最终实现审美情感的理性表达。
Furniture is not only a material existence, but also a symbolic existence, which reflects the people＇s pursuit of aesthetic mood during a certain historical period. As a kind of methodology, artistic semiotics can well interpret the Chinese traditional artistic conception theory, which is the theoretical basis of the artistic conception of Chinese style furniture in the new period. From the perspective of art semiotics, the construction of artistic conception of Chinese furniture should accurately grasp the time semantics, and accurately extract the symbol, and finally realize the rational expression of aesthetic emotion.
出处
《林产工业》
北大核心
2017年第6期44-46,共3页
China Forest Products Industry
基金
2016年度国家社科基金艺术学项目<中国民间传统木制生活器具设计艺术研究>(16BG123)
关键词
艺术符号学
家具
意境
Semiotics of art
Furniture
Artistic conception
