摘要
《口传史诗诗学》是一部以"口头程式"为理论基础,探讨蒙古族史诗《江格尔》程式句法的专著。"口头程式理论"有显著的结构主义遗留,而于语词、句法的结构分析中,得出的"程式"概念,不仅是一种理论,更是一种方法。我国史诗研究起步较晚,且长期处于固化文本的思想深描,因此"口头程式理论"的借鉴与实践,将我国史诗研究带入从静至动的结构转向中。不过,这里的"结构"并非以建构分析模型为主旨,而是以具体语境中民俗事项的构成规律为核心的研究取向。
Oral Poetics is a monographs which is based on ＂oral formulaic＂ to discuss the formulaic diction of Mongolian epic Jangar Singing. ＂Oral Formulaic Theory＂ has a significant legacy of structuralism, and the con- cept of ＂formulaic＂ which comes from structural analysis of words and diction is not only a kind of theory, but also a kind of method. The study of epic in our country is started relatively late, and lain in thick description of thought of solidified texts, so the reference and practice of ＂Oral Formulaic Theory＂ has brought Chinese epic study into structural turn from static to dynamic. However, the ＂structure＂ is not the purport to construct an analytical model, but is a core research orientation to study folk customs in specific context. folklore ; context; turns
出处
《河池学院学报》
2017年第3期26-34,共9页
Journal of Hechi University
