摘要
在民族与世界的关系维度上,中国马克思主义文学批评认为,民族是"个别与普遍之统一的相关物"。民族性与世界性相互依存、对立统一,文学的民族性是它获得世界性的基础,不存在脱离了民族性的世界性,世界性寓于民族性,并通过民族性呈现出来。中国马克思主义文学批评也反对拒绝任何世界性的绝对民族性,没有完全不带普遍性的特殊性,民族性需要以世界性为坐标、视野和目的,正如普遍性要以特殊性为依存一样,特殊性也不能摆脱普遍性而独立存在,特殊性只不过是被特殊化了的普遍性。摒弃任何世界性的民族性,只不过是将自己的民族性上升为世界性,实质上是另一种形式的绝对普遍性。中国当代马克思主义文学批评既要反思文化多元主义、文化原教旨主义等各种摒弃世界性的绝对特殊性论,又要反对世界主义、天下主义等弃绝任何特殊性的普遍主义文化立场,坚持以特殊性为基础并与普遍性相统一的民族差异性。
On the dimension of the relationship between nation and world, Chinese Marxism literary criti- cism considered that nation is the unity of individuality and universality＂. Nationalism is interdependent and uni- ty with the universality. The national character of literature is the foundation of its worldwide acquisition, mean- while the universality is in its national character. Chinese Marxism literary criticism opposes the rejection of any absolute national character of universality. Nationalism that rejects any cosmopolitan is essentially another form of absolute universality. Chinese Marxism literary criticism should not only reflect on cultural pluralism, cultural fundamentalism, etc. , but also abandon the universal theory of absolute particularity. National diversity based on the particularity and the unity with universality is the national standpoint that Chinese Marxism literary criticism should adhere to.
出处
《内蒙古社会科学》
CSSCI
北大核心
2017年第4期131-137,共7页
Inner Mongolia Social Sciences
基金
重庆市社会科学规划项目中特理论重点专项项目"习近平同志文艺座谈会讲话与马克思主义文艺理论的中国形态建设研究"(编号:2016ZTZD19)
中国博士后基金面上资助项目"中国马克思主义文学批评民族观的反思与建构"(编号:2016M590881)
