摘要
近百年来的现代中国画家旧体诗词创作,是现代中国旧体诗词发展史的重要组成部分。大体而言,现代中国画家旧体诗词的百年演变历程可分为四个历史阶段:在变革期(1912—1936)里,传统派与革新派画家诗人都在不同程度上致力于传统诗词的现代转型。在深化期(1937—1949)里,不同类型的画家诗人主要聚集在抗战旗帜下用旧体诗词的民族形式书写战乱中的悲情与壮怀。及至转折期(1949—1976),在新的社会政治环境下,大陆和离散海外的画家旧体诗词创作出现了合唱与独吟两种书写方式。新时期以来是复苏期(1977—),从"归来者"到"网络达人",无不体现出在改革开放的新历史语境中当代画家旧体诗词创作的新变。总之,从百年画家诗词的发展历程中不仅可以发现诗词与时代的密切关联,而且也能发现诗词与绘画的艺术互动。
In the past hundred years,the classic poetry composed by modern Chinese painters played an important role in the developmental of phylogeny of modern Chinese poetry. Generally speaking,their poetry in the past hundred years could be divided into four stages. Firstly,in the transformational period（ 1912-1936）,the painter-poets of the traditional and innovational school devoted themselves to the modern transformation of the classic poetry in different degrees. Secondly,in the deepening period（ 1937-1949）,different types of the painter-poets gathered under the banner of the anti-Japanese war,using the classic poetry to express the pathos and great aspiration. Thirdly,in the transition period（ 1949-1976）,in the new political environment,the poetry written by mainland and discrete overseas painters presented two writing styles-chorus and solo. Finally,in recovery period（ 1977-）,both＂returnee＂and＂outstanding figures in the network field＂reflected the new changesof contemporary artists’ the classic poetry in the new historical context of reform and opening period. In a word,from the development process of the artists’ poetry in the past century,we could detect not only the close relationship between the classic poetry and the times but also the interaction between the classic poetry and the painting.
出处
《江西师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2017年第3期83-95,共13页
Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)
基金
国家社科基金项目"民国旧体诗词编年史稿"(编号:13BZW116)
华中师范大学中央高校基本科研业务费项目(编号:CCNU14ZO2017)
关键词
现代中国画家
旧体诗词创作
历史浮沉
演变趋势
modern Chinese painters
classic poetry writing
historical vicissitude
evolution trend
